This page is auto-generated.
We use AI to collate this information; we don't use it to create this
information. Every fact here is drawn from public sources — press releases,
interviews, chart data — and the sources are listed below so you can check
them yourself. Collating this way helps us reduce our AI token usage, and
thus the impact that Less Than Zero has on the planet. AI can still get
things wrong: if you're an artist and something here is wrong, we
want to fix it —
message
us on Discord and we'll correct it. See our
AI policy.
Acid Brain 酸腦
last updated 2026-09-11 11:26
Acid Brain 酸腦
Plays on LTZ: (historical total not available beyond this vault's episode folders)
Tracks played
...noise (Heptaméron) — played 2026-08-20
Research
Acid Brain 酸腦 — ...noise (Heptaméron)
Played: 2026-08-20
The opener of a Taiwanese band's debut album that deliberately subverts its own title: the track called '...noise' eases in with a gently beautiful flute line recalling classic progressive rock — one reviewer admits the word 'noise' had him braced for a harsh-noise intro. Heptaméron 七日譚 ('Seven Days') is structured as fantasy travel — dungeons, mansions, abysses — organised by the symbolic recurrence of the number seven, each track a location in a larger fictional world. The album (out 19 June 2026) comes via France/China label WV Sorcerer Productions, distributed in Taiwan by Time Machine Records; it drags sludge, post-rock, stoner metal, free jazz and even chiptune into one coherent ride.
Sources: A Closer Listen · ninehertz · WV Sorcerer Bandcamp
Acid Brain 酸腦
Origin: Taipei, Taiwan · active
Members: Not publicly listed; guest appearances on Heptaméron from Australian singer Lillie Creatures and Chinese experimental jazz saxophonist Li Zenghui
Genre: Psychedelic/stoner rock, doom, post-rock, krautrock, with dungeon synth and free jazz elements
Discography:
Heptaméron 七日譚 (2026) — WV Sorcerer Productions (France/China), distributed in Taiwan by Time Machine Records — debut full-length
Facts:
Heptaméron ("Seven Days") is a fantasy-travel concept album — dungeons, mansions, abysses — structured around the recurring symbolic number seven, with each track a location in a larger fictional world.
The opening track "...noise" deliberately subverts its own title, easing in with a gentle progressive-rock-style flute line rather than harsh noise.